![]() ![]() 30,000 to 20,000 BP Mammoth bones, believed to have been chipped by humans, are found at the Yukon's Bluefish Caves : 125.The ancestral origins of caribou prior to the last glaciation (Wisconsin), which occurred approximately 80,000 to 10,000 years ago, are not well understood, however, during the last glaciation it is known that caribou were abundant and distributed in non-glaciated refugia both north and south of the Laurentide Ice Sheet. ![]() Is from a 1.6 million year old tooth found in the Yukon Territory other early records include 45,500-year-old cranial fragment from the Yukon and a 40,600-year-old antler from Quebec (Gordon 2003). 40,000 BP The earliest record of Rangifer tarandus caribou (which includes five subspecies: boreal woodland caribou, barren-ground caribou) in North America.50,000 BP According to Robert McGhee, a Canadian anthopologist, "It is theoretically possiblethat humans could have reached North America from northeast Siberia at any time during the past 100,000 years.".The 1996 Report by the Royal Commission on Aboriginal People described four stages in Canadian history that overlap and occur at different times in different regions: 1) Pre-contact – Different Worlds – Contact 2) Early Colonies (1500–1763) 3) Displacement and Assimilation (1764–1969) and 4) Renewal to Constitutional Entrenchment (2018). Īccording to Historica Canada's "Key moments in Indigenous History Timeline"-while there is no consensus and much debate-there is a "broad assumption" that there were waves of "migration from northeastern Asia" by sea and via a land bridge that took place from 30,000 and 13,500 BP Historica Canadas first entry on the timeline with "rrefutable archeological evidence of human occupation"-in what is now Canada and Alaska- is dated from 18,000 to 10,000 BP, with sites in Alaska's Tanana River Valley, Haida Gwaii in British Columbia, Vermilion Lakes in Alberta, and Debert in Nova Scotia. There are a number of origin stories about the world in general and the place of First Nations within that history. ![]() First Nation's oral histories and traditional knowledge, combined with new methodologies and technologies -used by archaeologists, linguists, and other researchers-produce new-and sometimes conflicting-evidence.įirst Nations refer to the habitation of North America from time immemorial. The pre-history settlement of the Americas is a subject of ongoing debate. The history of the First Nations is the prehistory and history of present-day Canada's peoples from the earliest times to the present day with a focus on First Nations. You can help by adding missing items with reliable sources. Cloth-spined and case-bound, this full-color compendium heralds not only the birth of a wild and woolly nation, but also the arrival of a major new force in the art world.This is a dynamic list and may never be able to satisfy particular standards for completeness. The thoughtful and provocative design, by Tokyo wunderkind Ian Lynam, elevates Spoons' opus beyond a "mere" collection of jaw-dropping artwork to a true coffee table gem. Rendered in swaths of psychedelic fluorescents in a flurry of wild yet delicate brushwork, the explosive pages of Welcome to Forest Island establish Bwana Spoons as the cuddliest art-monster around, whose furious imagination is matched only by the intimacy of his handskills. The denizens of this mind-bending island include sweet whale-gators, boozy super-cicadas, arrow-slinging, basket-weaving bearded love tribes, an ex-hobo mushroom farmer, and one brutally intense bat who plays drums in a proto-metal band and would do just about anything to make a bagel relinquish its jelly filling! Top Shelf presents Welcome to Forest Island, the flagship monograph by Bwana Spoons, a painter, designer, screenprinter, zine rocker, and toymaker whose work has been featured on a dizzying array of shoes, skateboards, apparel, baby strollers, art toys, and gallery walls throughout the Americas, Europe, and Asia.Īll 144 full-color pages - including paintings, maps, sketches, comics, and more - are dedicated to Forest Island: the wild, hyperchromatic paradise Spoons has been constructing with his art for several years. ![]() Otto Seibold, illustrator of Olive, the Other Reindeer "Bwana Spoons' art puts me in the mind of secure expansion, perfect days sculpting in seaweed and driftwood, forgetting about clocks, and unknowingly impressing your best friend." - J. ![]()
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